BOOK NOTES
These are heady days for Anglo-Indian writers, or people writing about our community. A first novel, Vegemite Vindaloo, by Australia-based David McMahon, has ascended the best-seller lists. David was also one of the judges for the Anglo-Indian anthology, The Way We Were, recently published by Blair Williams for CTR Inc. Publishing. Both are reviewed here. An Indian writer, Rohit Handa, has centred his novel, A Twisted Cue, on a complex character: an Anglo-Indian soldier with the splendid name of Lieutenant-Colonel Quintin Reginald ‘Mulkally’ Oxley-Protheroe. And the Wallah takes another look at an old favourite, Under The Old School Topee, that is in its seventh and probably final printing.
Vegemite Vindaloo.
Penguin Books
Author: David McMahon
David McMahon was born in
Here’s how it places in a list from The Statesman,
FICTION
1. The Inheritance Of Loss: A Novel – Kiran Desai,
Rs. 395.00
2. The Innocent Man – John Grisham, Rs. 268.00
3. Vegemite Vindaloo – David McMahon, Rs. 295.00
4. The Afghan – Frederick Forsyth, Rs.
268.00
5. Cat O'Nine Tales – Jeffrey Archer, Rs. 276.00
Great company – just behind Booker Prize winner Desai and perennial best-selling author Grisham, but ahead of two other big guns, Forsyth and Archer. The Wallah salutes David and is happy to print this review of his novel:
The Wizard of
Oz
by Terry Fletcher
I parted company with a friend a couple of weeks ago. Actually, several friends. Harry and Kelvin whom I met only briefly, Frank and Wally, a knock-about double act that also didn’t tarry long, and there were Steve and Hilary and their sons, Clive and Azam, with whom I developed a long-lasting relationship. The sense of loss was almost tangible.
The reason we went our separate ways was that I finally, reluctantly, closed the back cover of the book Vegemite Vindaloo by David McMahon. But not before I returned to page one to speed-read the first chapter. I just had to make sure I had correctly assimilated precisely how and where and with whom I had taken this memorable journey.
The journey
starts in
To complement the main characters the author has surrounded them with a host of bit-players. Some are honourable and praiseworthy, almost heroic. Others are pretentious, patronizing, snobbish and condescending. And still others are unprincipled, dishonest, unscrupulous and deceitful. They are all believable, because we have all met similar characters at one time or another. You can be forgiven for thinking that you are accompanying real individuals as you progress through the book.
If you are an ex-Calcuttan you will revel in the description of the various locations. If, like me, you were only a transient visitor to that magnificent city, the description of New Market, for instance, will awaken long dormant memories. Only twice since leaving India have I come across flower sellers into whose shop I have walked, drawn by the aroma, only to crush discarded flower stalks on a wet floor. These days a zealous Health & Safety inspector would never allow it, more’s the pity. There are other passages that describe the chaos of the traffic caused by flooding rains that only a Calcutta-wallah can empathize with, but which are described with such clarity that the reader almost wants to step off the bus and paddle across to the urchins playing in the water at the side of the road.
You don’t
have to have been an immigrant to enjoy this book, but it helps. The hilarious
coming-to-terms with a new domicile and a new culture can only really be
appreciated by someone who has made the perilous transition. The author
vehemently denies that any part of this book is autobiographical, but you
really need to have lived the life, both in
The roller-coaster ride reaches a self-induced crescendo when the reader realizes that there are only five or six pages left before the story will end. One wonders whether the author is competent enough to tie up the loose ends, or whether one is going to be disappointed as the story fizzles out. Rest assured, this man will hold your interest to the last word on the last page. And that is when, as I have mentioned before, you realize that you need to go back to the beginning so that you can enter your own comfort zone, reassuring yourself that you really did not misread the start of the story.
There is an old vaudeville saying that goes, “. . .leave ’em wanting more”, and I am waiting for more. Enough groundwork has already been laid to augur well for a sequel featuring the characters Frank and Wally, and that wonderfully sketched – but fictitious – outpost of Jindaroo Creek. Even the main characters from Vegemite Vindaloo could be woven into another enthralling and amusing tale.
So how about it, Mr. McMahon?
** Eugene
Terence Fletcher (Terry) is an ex-RAF man who, after 36 years of continuous
service to Queen & Country (UK), has retired gratefully to the much kinder
climate of
Terry has also indicated where to buy the book:
Shop around . . . the prices vary considerably. I have done the hard work for you and put the ‘least expensive’ option as the first entry. If you do better, let me know.
Editor’s Note: Some Wallah
readers may wonder about the title. Most if not all Anglo-Indians and many
others would, of course, know what vindaloo is. Australians might be surprised
to learn that outside their country their national spread – made from yeast
products – is virtually unknown. It’s equivalent to
* * *
The Way We Were: Anglo-Indian Chronicles. CTR Inc.
Editors: Margaret Deefholts & Glenn Deefholts.
Cover design: Harry MacLure Design Studio, Chennai
Cover photo: Courtesy Dennis Whitworth
This is the fourth book in the series launched by Blair
Williams under the CTR banner. The books raise money for the charity Blair
started to help impoverished Anglo-Indians in
But the books also serve to give Anglo-Indians a chance to preserve their heritage and culture, through the voices of people who have experienced it firsthand. Two years ago CTR invited articles from around the world to portray Anglo-Indian culture in the pages of an anthology, The Way We Were. The guidelines said in part: “The publication, depicting our Anglo-Indian way of life, will cover a broad contemporary canvas. We would like to capture not only who we were but how we were in all walks of life – the way we lived, worked, rejoiced, loved, laughed and cried.”
The five judges – working ‘blind’, with no names attached – selected 42 of more than 80 submissions. Once again that gifted Anglo-Indian writer with what Blair calls a “prodigious work ethic”, Margaret Deefholts, was persuaded to edit the collection. Margaret had edited the 2004 anthology, Voices on the Verandah, with Sylvia Staub, another Anglo-Indian writer – there certainly are a lot of us. ON TWWW, Margaret worked with her son, Glenn Deefholts.
The new chronicles offer a kaleidoscope of Anglo-Indian life. But even for those of us old enough to have lived in Indian cities or railway colonies or upcountry, there is much more than just nostalgia for the beloved and the left-behind. There is plenty to learn: unexpected insights, different slants on what we remember, and even a chance to see ourselves through the eyes of non-Anglo-Indians who lived among us and knew our ways.
We certainly knew how to enjoy life. Writers like Calcutta-born Dolores Chew brings alive the bustle of the New Market as she accompanies her father in the annual ritual to buy just the right ingredients for her mother’s Christmas cake. You’ll swear by the end that you can smell the fragrance of it baking. Joyce Mitchell will cause you to squeal in sympathy for the excited kids for whom Father Christmas arranged an elephant ride. Noel McKertich will make not-so-young ‘lads’ yearn to play one more game of Tops. Pamela Rebeiro reminds us of the horrific days of Partition riots in Calcutta, of the family’s momentous decision years later to leave India – and what life was like for Anglo-Indians in England in the ’fifties. Susan Deefholts – yes, no fewer than three Deefholts figure in this anthology – writes a poetic ode to ‘transplant’ ancestors who gave her the travelling bug but who, along with Lord Ganesha, also helped her to find a place called home. Rochelle Almeida will bring you to tears with her poignant story about an Anglo-Indian piano teacher, the unforgettable Miss Dunn. And you’ll get many a laugh from these pages, too, especially from Kevin Peterson’s madcap tale of a family’s frenetic preparations for a Tangy (Tangasseri) party. Don’t miss his witty reference to a certain singer-trumpeter.
This is just skimming the surface of a rich collection of memoirs, matchless in its ability to capture the spirit and soul of a people and their times. I apologize to all those contributors not mentioned by name who shared their wit, humour, and magical imagery to preserve an entire way of life.
Let me end with a quote from one writer: “I belong to a place called Anglo-India. You will not find it on any map of the world.”
But you can find it in the pages of The Way We Were.
See also: http://margaretdeefholts.com/the_way_we_were_reviews.html
* * *
A Twisted Cue. Ravi Dayal,
Author: Rohit Handa
Rohit Handa is one of the few Indians who has actually created an Anglo-Indian hero in fiction. Perhaps I should say one of the few writers who has done so – we’re more used to being slighted and slandered than praised. Bully for Handa and his memorable character, Lieutenant-Colonel Quintin Reginald ‘Mulkally’ Oxley-Protheroe. There’s an intriguing explanation for the nickname Mulkally, but I’ll leave that for the reader to discover.
Handa also gives himself a huge challenge with this complex novel, which examines with daring and wit the notion “an ancient people who had no recent achievement to exult about, turn to hero worship those ground into the dust by a conqueror and whose bloodshed cannot be avenged.” A conqueror like Muhammad Ghori in 1192. Or later ones like the British.
These lofty ambitions sometimes get in the way of the nifty story-telling of which Handa is capable when he concentrates on the narrative. For instance, as Pakistani and Indian troops prepare for war in 1965, a lesser character called Ronnie Dewan bemuses the reader with a meditation on conquerors, while imagining he has his guns trained on “gory Ghori”, on Alexander exacting tribute from King Porus of India, of Mahmud of Ghazni “slitting the throat of the ancient Aryan race”, then on the Mughal Jehangir and his “collapsible harem”, and now on the “handsome Pakistani major”, Dewan’s opposite number across the troubled border. Just when you come up for air, Handa has Lord Vishnu appearing to Ronnie in visions. And yet Dewan is crucial to Handa’s main theme, exploring the psyche of a people overrun by conquerors down through the centuries and still somewhat hesitant to enjoy and protect their freedom.
The author, a former war correspondent for a leading Indian newspaper, is very much more in command of his action scenes – really quite splendid – and has a wonderfully satirical romp mocking the pretentious military officers in the mess in the days before war breaks out. One particularly obsequious colonel – a gem of a creation – concocts the fictitious ‘Harminder Plan’ to win favour with his Army Commander and befuddle a gaggle of visiting MPs.
Mulkally is too much of a straight-arrow soldier to give the MPs anything but a dose of reality about the border and war. He scares the heck out of them. A la Sir Francis Drake finishing his game of bowls before attacking the Spanish Armada, Mulkally coolly calculates the progress of the conflict and takes time out for some fishing – an act that enhances his reputation as a soldier’s soldier.
Whereas Mulkally knows how to handle himself in the craft of
war, he’s less adept at the art of love. Oh, he’s successful with women, all right,
but he can’t seem to hang on to anyone valuable. Handa is at his narrative best
in the scenes involving Mulkally and his doomed romance with the lovely
Narayani. She dares to go on a hunting and fishing
trip with Mulkally while still not divorced from her estranged air force husband.
For the idyllic time they are together, the lovers shunt aside the reckoning
that must surely come. Handa counter-balances the romance – which takes place
in beautiful Himalayan settings where the author shows his own deep love of
hunting and fishing – with dark allusions to the complexities of Indian society
in general and military mores in particular. Eventually, Narayani takes her
bitter medicine with courage and dignity, and the romantically wounded Mulkally
faces bleak choices that inevitably change the life he has enjoyed in
Readers who stick with A Twisted Cue through Handa’s more fanciful chapters are rewarded by a good yarn that exhibits plenty of masterful story-telling. Whenever Mulkally appears, he drives the story along to its touching finale. Moreover, the author’s sense of humour and his parade of finely observed characters make this an entertaining read.
** Rohit Handa
was born in
A Twisted Cue can be purchased through www.amazon.com and other online stores.
* * *
Under The Old School Topee. Published by the author
Author: Hazel Innes Craig
This book was first published in 1990 by BACSA, the British
Association for Cemeteries in
The Best Education In the Hills
by Deborah Van Veldhuizen
The
Church’s desire to evangelize throughout
Following this, Christian
missionaries from countries other than
Although Craig also discusses the
Plains schools, her focus is on the schools in the Hills. In
George Edward Cotton, Metropolitan
Bishop of Calcutta (1858), finally managed to convince the Government of India
to take part in educating its children.
Renowned as one of the greatest educators of his time, he also
established
The teaching at both the Plains and
Hills schools was of the highest standard, based as it was on the British
system. Many of the teachers and
headmasters initially came out from
Quite amazingly, religious tolerance was practised at the schools by the teachers, including priests and nuns, towards the Indian, Anglo-Indian, British, and European children of various faiths . Although religious services generally had to be attended by all the students, religion was not forced upon anyone and, in fact, actions were often taken to ensure that students’ individual faiths were maintained.
Particularly interesting are Craig’s chapters that outline going up to the Hills schools at the beginning of the school year, usually in March, and the Going Home Day nine months later, in late November or early December: “Dow Hillians remember some of their friends hurling their topees into the muddy waters of the Hugli River as the train clattered over Hardinge Bridge, a practice echoed by British troops and other old India hands as they steamed out of harbour on their journeys home to Blighty.” (Craig 234)
Craig’s book will prove
particularly interesting to those who attended any of the schools mentioned in
her books, as well as anyone who is a product of
On a personal note, at the same
time that my father, Lionel Lumb, was taught by Jesuit priests at St. Xavier’s
College in
** Deborah (Lumb) Van Veldhuizen is a 42-year-old
Anglo-Indian who lives in
Under The Old School Topee can be purchased directly from Hazel Innes Craig by writing to her at:
53 Hill Rise
Rickmansworth
Hertfordshire WD3 7NY
The price is £12 pounds sterling, plus £5 pounds for postage and packaging. Sterling cheques or drafts only, please.